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Annotated Performer’s Editions, No. 7, An Introduction to the Organ Music of Max Reger – Max Reger

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Max Reger (1873–1916)
Taught at the Leipzig Conservatory (1907–1916), a prolific composer for the organ. His organ works are considered to be a continuation of the contrapuntal tradition of J.S. Bach in the late Romantic harmonic style.

Annotated Performer’s Editions, No. 7, An Introduction to the Organ Music of Max Reger – Max Reger

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Fingering and Pedaling Suggestions by Dean Billmeyer with a Preface by Christopher Anderson

Annotated Performer’s Editions, No. 7
Wachet auf, ruft uns die Stimme, Op. 135a, No. 25 (30 Kleine Choralvorspiele, Op. 135a, 1914); Wer nur den lieben Gott läßt walten, Op. 135a, No. 28 (30 Kleine Choralvorspiele, Op. 135a, 1914); O Welt, ich muß dich lassen, Op. 67, No. 33 (52 Leicht ausführbare Vorspiele, Op. 67, 1902); Seelenbräutigam, Op. 67, No. 35 (52 Leicht ausführbare Vorspiele, Op. 67, 1902); Mach’s mit mir, Gott, nach deiner Güt’, Op. 67, No. 25 (52 Leicht ausführbare Vorspiele, Op. 67, 1902); Passion, Op. 145, No. 4 (7 Orgelstücke, Op. 145, 1915/16); Siciliano, Op. 47, No. 5 (6 Trios, Op, 47, 1900); Melodia, Op. 59, No. 11 (12 Stücke, Op. 59, 1901); Präludium, Op. 129, No. 8 (9 Stücke, Op. 129, 1913); Fuge, Op. 129, No. 9 (9 Stücke, Op. 129, 1913); Weihnachten, Op. 145, No. 3 (7 Orgelstücke, Op. 145, 1915/16); Benedictus, Op. 59, No. 9 (12 Stücke, Op. 59, 1901); Perpetuum mobile, Op. 80, No. 9 (12 Stücke, Op. 80, 1904); Scherzo, Op. 65, No. 10 (12 Stücke, Op. 65, 1902); Toccata, Op. 59, No. 5 (12 Stücke, Op. 59, 1901); Fuge, Op. 59, No. 6 (12 Stücke, Op. 59, 1901); Jauchz, Erd’, und Himmel, juble hell!, Op. 67, No. 15 (12 Stücke, Op. 67, 1902); and Introduction und Passacaglia (WoO IV/6, 1899). Medium to difficult.

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