A multisectional recital piece based on South American rhythms and influences. The piece is designed to work on both programmatic and abstract levels; it was conceived as a musical evocation of a day in the life of a tiger. Difficult. Learn More

Organ Concerto No. 1 for Organ and Orchestra Learn More

Concerto in D for Organ and Strings, Full Score Learn More

An easy and very approachable organ composition in an eighteenth-century harmonic style with a tape part. Also includes an audience handout of a series of computer-generated graphic pictures correlated with the music. Very appealing and effective for both the performer and the audience. Audience-friendly music! Learn More

edited by Nicholas Goluses and Harry Huff

Written for an Advent observance at Union Theological Seminary in New York City. This beautiful one-movement piece expertly melds the organ with the quiet more intimate sound of the acousic guitar. Reflective in nature, it was inspired by a passage from Jeremiah foretelling the coming of justice and righteousness. “And this is the name by which the city will be called: ’God is Our Righteousness.’” Easy to medium. Learn More

edited by Harry Huff

A very beautiful composition. Begins softly, builds to an exciting climax, and ends softly. Contains extravagantly contrasting moods that explore the vivid colors of both the organ and the violin. Textures range from impassioned virtuosity to hauntingly sublime melody. Medium. Learn More

A one-movement rhythmically exciting composition with great drive. A good closing piece for a recital. Medium. Learn More

Inspired by a paragraph in Allen Watt’s “The Book” in which he attempts to explain to a child who God is. Tape part by Edd Kalehoff. Medium. Learn More

From Hampton's Christmas Oratorio. An easy and appealing setting both for the singer and the organist. The vocal range is treble low E-flat to high B-flat. Easy. Learn More